Reyner Ferdinand is an audio engineer with a demonstrated history of working in the motion pictures and film industry. His work ranges from score mixing and sound design for films, TV, and commercials, as well as mixing, mastering, and producing music for major labels and solo artists.

Reyner started his career working on Southeast Asian cinema. For nearly a decade, he was a film score mixing engineer for over 50 films from the region, both blockbuster movies and award- winning independent films, including Brunei Darussalam’s very first feature film Yasmine. Occasionally, he is involved in audio restoration for classic films as well as sound design for short films and music video with select filmmakers. Some recent shorts include Toya dan Roh Seninya, which screened at the prestigious Sitges Film Festival, as well as Cipak Cipuk (Splish Splash), which won the Best Animated Short at Piala Maya and was nominated for the Best Animated Short Piala Citra at Film Festival Indonesia (Indonesia’s Oscars/BAFTA).

In music, Reyner has mixed a wide range of styles from Indonesia’s top industry players whose songs populate the country’s Top 100 music chart, as well as traditional Indonesian music composed with traditional instruments like the gamelan and gendang. Some favorite music projects include Sezairi’s Home Session for Apple Music and Kaleb J‘s chart-topping singles. He also mixed the Dolby Atmos version of popular songs by Indonesia’s and the region’s leading music artists including Lyodra, Nyoman Paul, Andi Rianto, Jaz Hayat, Reality Club, Basboi, Teza Sumendra, A. Nayaka, Ben Utomo, and Sezairi. In the last two years, 13 Dolby Atmos mixes by Reyner were nominated for the AMI Awards (Indonesia’s Grammys).

Reyner has a track record of working with established creative agencies and production houses on notable commercials, providing sound design, final mix, and professional VO recording services for international clients such as OPPO, Panasonic, Bang & Olufsen, Honda, Ecovacs, Indosat Ooredoo, Mowilex, Calbee, and Esse. His favorite part of the job is bringing out the right combination of emotions and depth to projects, delivering the best storytelling and world-building through sound.